Digital
List of Figures
Research Utility
I want the Research Journal to be a resource for my thesis, but also I wanted to find a way to use sound clips and videos as illustrative material in my Thesis, so instead of providing various links to different platforms, they will be exhibited here, together, on this page of my research Journal.
Use the buttons below to navigate more easily.
Figure One - Image
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Fig. 1: Acrylic on Canvas, Kan Ryohei ‘White Cube 08’ –2012. Tokyo Arts and Space [online image]. Available from: https://ryoheikan.com/works/endless-white-cube-2016-2017/ [Accessed 15 March 2022]
Figure Two - Image
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Fig. 2: Installation view of the exhibition “Cubism and Abstract Art,” MoMA. March 2–April 19, 1936. Newhall B, (1936). The MoMA Archives, New York. ©Beaumont Newhall. [online image]. Available from: https://www.moma.org/calendar/exhibitions/2748 [Accessed 20 January 2022]
Figure Three - Image
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Fig. 3: Still from Martens film ’ White Cube’, 26 November 2020. IDFA. ©Renzo Martens). [online image]. Available from: https://www.idfa.nl/en/film/b26dacb7-40e5-48e1-ad6a-e966509ca837/white-cube [Accessed 18 March 2022]
Figure Four - Image
Fig. 4: Adolf Hitler visiting Haus der Kunst. Bild, U, (1937). Getty Images, Munich. ©Ullsten Bild. [online image]. Available from: https://www.express.co.uk/news/world/759263/Germany-Nazi-Adolf-Hitler-Munich-Haus-der-Kunst-House-of-Art-restoration-British-architect[Accessed 20 January 2022]
Figure Five - Image
Fig. 5: Installation view for the void room. Yves Klein’s “Le Vide”. 1958. London. ©Yves Klein [online image]. Available from: http://www.actualcolorsmayvary.com/2012/06/invisible/ [Accessed 23 March 2022
Figure Six - Image
Fig. 6: Installation view for Bruce Nauman: ‘Für Kinder,’ with four hidden speakers Fischer K, (2015). Düsseldorf. ©Konrad Fischer Galerie. [online image]. Available from: https://www.konradfischergalerie.de/artists?tx_kfmanagement_artistsnew%5Baction%5D=show&tx_kfmanagement_artistsnew%5Bartist%5D=94&tx_kfmanagement_artistsnew%5Bcontroller%5D=ArtistNew&cHash=49df024321eba345c6ecb91ea30e26c1 [Accessed 25 January 2022]
Figure Seven - Image
Fig. 7: installation view of Michael Asher’s Spaces, 1969. Museum of modern Art, New York. ©Claude Picasso. Available from: http://mitp-content-server.mit.edu:18180/books/content/sectbyfn?collid=books_pres_0&id=8218&fn=9780262013680_sch_0001.pdf [Photograph Published 2008]
Figure Eight - Image
Fig. 8: Installation view of practical research for Grad Show, 2022. ©Luke Kandiah [Online] Available from: https://lkandiah.wixsite.com/researchjournal/digital-list-of-figures [Accessed 27 August2022]
Figure Ten - Image
Fig. 10: Performance photograph for Rhythm 0, 1974. ©Delphian Gallery. [Online image] Available from: https://delphiangallery.com/marina-abramovic-rhythm-0/screen-shot-2018-12-24-at-17-16-30/ [Accessed 27 March 2022]
Figure Eleven - Image
Fig. 11: Installation view of Pierre Huyghe’s Timekeeper, 1999. Pierre Huyghe, Collecteurs. [online image] Available from: https://www.collecteurs.com/article/pierre-huyghe-timekeeper [Accessed 25 March 2022]
Figure Twelve - Image
Fig. 12: Yves Klein, Les Vide (1958) translated image into sound and back into image, 2022 ©Luke Kandiah. [Online image] Available from: https://lkandiah.wixsite.com/researchjournal/image-files [Accessed 27 March 2022]
Figure Fourteen - Image
Fig. 14: Urs Fischer, You (2007) excavation of a ‘White Cube’ site, New York. ©Gavin Brown’s Enterprise. [online image] Available online from: https://publicdelivery.org/urs-fischer-you/ [Accessed 27 August 2022]
Figure 15 - Image
Fig. 15: Vanitas painting in Oil, Jacques de Gheyn II’s Vanitas Still Life (1603) On view at the Hague, ©Fifth Met Avenue, Gallery 964. [online image] Available online from: https://www.metmuseum.org/art/collection/search/436485 [Accessed 27 August 2022]
Figure Sixteen - Image
Fig. 16. Installation view of Felix Gonzales-Torres, Untitled (Perfect Lovers) (1991) At MoMA, New York. © The Felix Gonzalez-Torres Foundation. [online image] Available online from: https://www.moma.org/collection/works/81074 [Accessed 27 August 2022]
Figure 20 - Image
Fig. 20: Installation close-up of Rolf Julius’ Large Stonegarden for the Empty Gallery’s exhibition ‘Sonorous objects’, Hong Kong, 2010 . ©Kitmin Lee. [online image] Available online from: https://emptygallery.com/exhibitions/eg02-sonorous-objects/ [Accessed 25 July 2022]
Figure 21 - Image
Fig. 21: Pithoprakta (1955-56), string orchestra, two trombones, percussion): bars 52- 59: Xenakis’ graph for the distribution in time of the string orchestra’s pizzicatiglissandi. Archives Xenakis, Bibliothèque Nationale de France.[online image] Available Online from: https://www.semanticscholar.org/paper/The-granular-connection-(Xenakis%2C-Vaggione%2C-Di-Solomos/eca2ba9631a9a4aec1204351aad1b3c327ea88e4/figure/3 [Accessed 25 March 2022]
Figure Twenty Two - Audio
Fig. 22: First composition from practical research. Radiator Hauntology, (2022) ©Luke Kandiah. Available from: https://soundcloud.com/luke-kandiah/radiator-hauntology [Published 15 March 2022]
Figure Twenty Three - Image
Fig. 23: Installation view of William Anastasi’s ‘Untitled’ (West wall) at the Dwan Gallery (1967), ©Archives of American Art, Smithsonian Institution. Available from: https://journalpanorama.org/article/amateurism-introduction/walk-with-me/ [Published 2019]
Figure Twenty Four - Image
Fig. 24: Installation view of Hans Haacke’s Condensation Cube (1963-65). MIT Visual Arts Centre, Massachusetts. ©Hans Haacke. Available from: https://www.pinterest.co.uk/pin/492649933130798/ [Published 1967]
Figure Twenty Five - Image
Fig. 25: Installation view of Hans Haacke’s MoMA Poll (1970). MoMA, New York ©Hans Haacke. Available from: https://www.wikiart.org/en/hans-haacke/moma-poll-1970 [Published 2012]
Figure Twenty Six- video
Fig. 26: Installation recording of my practical research (2022) ©Luke Kandiah. [Online video] Available from: https://lkandiah.wixsite.com/researchjournal/digital-list-of-figures [Accessed 24 July 2022]